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<loc>https://southseattleemerald.org/arts-culture/2026/10/27/updated-jackson-street-after-hours-adds-new-riffs-to-seattles-jazz-history</loc>
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<image:loc>https://media.assettype.com/southseattleemerald/2026-10-26/1aa8df07/041Dick-Wilsonphotoscan-copy.jpg</image:loc>
<image:caption><![CDATA[ Dick Wilson performs with the Andy Kirk Band at the Senator Ballroom in Seattle on Feb. 17, 1941. In "Jackson Street After Hours," Paul de Barros helps connect readers with musicians whose contributions to Seattle's jazz history have been overlooked.]]></image:caption>
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<image:caption><![CDATA[ Oscar Holden plays at a piano. Paul de Barros called Holden the patriarch of Seattle jazz in the first edition of "Jackson Street After Hours," but in the expanded edition, he gives Frank Waldron a more prominent place alongside Holden.]]></image:caption>
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<image:caption><![CDATA[ The Bumps Blackwell Junior Band, including a teenage Quincy Jones (center), perform at the Trianon Ballroom on March 14, 1949. In the expanded second edition of "Jackson Street After Hours," Paul de Barros revisits Jones' career and enduring connection to Seattle.]]></image:caption>
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