A centerpiece placard of "Hello Auntie, Hello Uncle" explores what role elders hold and features six elders including Dorothy Quock, Masood Rubb, Amy Nikaitani, Dorothy Cordova, Noe Noe Wong Wilson, and Allan Louie. (Photo: Agueda Pacheco Flores)
A centerpiece placard of "Hello Auntie, Hello Uncle" explores what role elders hold and features six elders including Dorothy Quock, Masood Rubb, Amy Nikaitani, Dorothy Cordova, Noe Noe Wong Wilson, and Allan Louie. (Photo: Agueda Pacheco Flores)

Wing Luke's 'Hello Auntie, Hello Uncle' Shows the Beauty and Power of Sunset Years

At the Chinatown-International District's Wing Luke Museum, a new exhibit asks its audience, no matter their age, to reflect on the beauty, growth, and potential that can come with aging. Just past the front desk, the walls are lined with photos, placards, oral histories, videos, artifacts, and art. It all comes together to create "Hello Auntie, Hello Uncle: Conversations With Our Elders."
Published on

by Agueda Pacheco Flores

A key element of being young is lack of experience — lack of wisdom, some may say. It makes sense, then, that most people either unintentionally dismiss or ignore thinking about aging, despite experiencing it in real time. It often isn't until people reach their older years that they've gained the wisdom to embrace aging and see the value of the time they've lived.

At the Chinatown-International District's Wing Luke Museum, a new exhibit asks its audience, no matter their age, to reflect on the beauty, growth, and potential that can come with aging. Just past the front desk, the walls are lined with photos, placards, oral histories, videos, artifacts, and art. It all comes together to create "Hello Auntie, Hello Uncle: Conversations With Our Elders."

A photo of two women, both in matching blue dresses, is displayed on a woven fabric backdrop with pink, green, and blue patterns. The exhibit includes a tree structure adorned with flowers and informational panels. The background shows additional framed photos and educational displays, creating a warm and informative exhibition space.
Krista Suh photographed with her grandmother, Hui-Chuang Wu, takes center on the knit altar she dedicated to her grandmother. The mixed-media tree beside the altar is also a piece by Suh and features knit flowers. (Photo: Agueda Pacheco Flores)

While not housed in one of the main exhibition rooms in the museum, "Hello Auntie, Hello Uncle" is densely packed with pertinent questions and thought-provoking information about Asian American, Native Hawaiian, and Pacific Islander elders. A placard features the main theme of the exhibit and asks: What is the role of an elder? It's a question that evokes more questions and requires some figurative time-traveling.

Instead of directly answering the questions it prompts, "Hello Auntie, Hello Uncle" introduces viewers to the elders currently contributing to their communities and what that looks like. Through hearing their stories, a viewer can come to their own conclusion about the value elders bring to their lives and the lives of others.

Two portrait paintings of smiling women with glasses are displayed on yellow cloths adorned with orange botanical and traditional designs. The left painting features a woman in a blue shirt, and the right shows a woman in a green vest. The background walls are green, creating a vibrant and warm exhibition setting.
Two portraits of aunties Sue Kay and Karen Akada Sakata by artists Monyee Chau, who worked with artist Jae Eun Kim for their 2023 Flower Flower artist residency. Their residency includes interviews with the two elders who are active in the International District community. (Photo: Agueda Pacheco Flores)

Take, for example, the story of Kitty Tsui, one of the many featured elders in the exhibition. Tsui is seen both on one of the main large placards on the walls as well as in a video interview within the exhibit. Tsui is seen as she is today, graying and happy, remembering both her heyday as a competitive bodybuilder and honoring the wisdom she gained from her own queer grandmother.

"I remember it was one of those ah-ha moments because I remember when I came out to her," she says in the video. "The only thing she said to me was, 'What's gonna happen when you get old?' I told my grandma, 'You're old, you're alone, you're fine.'"

It's noted that Tsui's grandmother, a famous Chinese American opera singer, was a big role model for Tsui as she not only supported her grandfather's families for two decades, but also left to pursue a love affair with a woman, pointing to a woman who took responsibility of family but also didn't put her happiness aside.

Tsui's oral history video is available on TheOutwordsArchive.org, an online archive that records the queer history of elders. Also available on Outword and featured in "Hello Auntie, Hello Uncle" are interviews with Arvind Kumar, founder of the first gay support group for South Asians, and Mia Yamamoto, a transgender activist who was born in a Japanese concentration camp.

A framed portrait of an elderly woman with short gray hair, wearing a traditional cream-colored garment and a red scarf, is displayed against a pink background. The portrait is set on a colorful, patterned textile backdrop with intricate white lace and decorative pink and red flowers at the top corners.
A portrait of Hui-Chuang Wu hangs on the alternate side of the knit altar. (Photo: Agueda Pacheco Flores)

The activist roles of Tsui, Kumar, and Yamamoto point to the far-reaching impressions the lives of elders can have on society as a whole, but what about other kinds of roles elders take on? Not every elder needs to be an activist to make an impact.

For 86-year-old Masood Rubb, that means taking care of his terminally ill wife, no easy feat even for someone not in their sunset years. Still, Rubb takes on his role with grace.

"Life is a winding road with many ups and downs," he is quoted saying. "Handle it with patience, tolerance, and forgiveness — a piece of advice from a veteran."

Whether it's the life stories of elders, the wisdom they've gained with time, or a flower tree that represents a grandmother's lullaby, there is something endearing everyone can take away from "Hello Auntie, Hello Uncle."

The exhibit opened in April and will run until February of next year.

You can catch "Hello Auntie, Hello Uncle" during the Wing Luke's recently reopened limited hours, Thursday through Sunday, 10 a.m. to 5 p.m.

This article is published under a Seattle Human Services Department grant, "Resilience Amidst Hate," in response to anti-Asian American, Native Hawaiian, and Pacific Islander violence.

Agueda Pacheco Flores is a journalist focusing on Latinx culture and Mexican American identity. Originally from Quertaro, Mexico, Pacheco is inspired by her own bicultural upbringing as an undocumented immigrant and proud Washingtonian.

Before you move on to the next story …

The South Seattle Emerald™ is brought to you by Rainmakers. Rainmakers give recurring gifts at any amount. With around 1,000 Rainmakers, the Emerald™ is truly community-driven local media. Help us keep BIPOC-led media free and accessible.

If just half of our readers signed up to give $6 a month, we wouldn't have to fundraise for the rest of the year. Small amounts make a difference.

We cannot do this work without you. Become a Rainmaker today!

Related Stories

No stories found.
logo
South Seattle Emerald
southseattleemerald.org